Events
The Irishman / with @pscottsakamoto SOC -
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Dir: Martin Scorsese
DP: Rodrigo Prieto
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Sakamoto: Being a movie that spans over 50 years, Rodrigo chose to shoot film with its natural grain and soft palette. We used the Arricam ST and LT. For the de-aging VFX scenes Rodrigo and ILM decided a digital format was a better choice. Our digital cam- era consisted of an array of three cameras on one platform. The main taking camera was a Red Helium with two Alexa Mini's on ei- ther side working only as witness cameras. The Mini's were recording only in infrared lights so they were equipped with special IR ring lights. Both Mini witness cameras were slaved together and needed their own assistants. We had Bradley Grant, first AC with Suren Karapetyan, second AC working those cameras. With the unique camera set- up, which we fondly called the three-headed monster, it was a learning experience for all of us. For me, thatβs my best scenario, where I can learn and push myself as an operator.
The SOC rounds out July with our last scheduled Inspirational Roundtable, Wednesday, July 29th, 11am PT with Sarah Levy, SOC, and Jeff Muhlstock, SOC. It is sure to be an inspirational session. To register: LINK IN BIO
Back at it - @dalevancejr SOC - PPE Mask & Face Shield - π· @stefaniarosinistills_smpsp @society_of_camera_operators
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